视频推荐
马达加斯加3[电影解说]
预言者【影视解说】
西北郊区【影视解说】
乌鼠机密档案【影视解说】
摩登笑探【影视解说】
龙虎门【影视解说】
黑社会【影视解说】
濠江风云【影视解说】
芭蕾复仇曲【影视解说】
复仇者的怜悯【影视解说】
复仇者【影视解说】
马达加斯加[电影解说]
恶狗帮【影视解说】
不朽【影视解说】
深海狂鲨【影视解说】
人生【影视解说】
蓝顶会所
那家伙【影视解说】
记忆之夜【影视解说】
VIP【影视解说】
新娘和爸爸
谍影特工(国语版)
天鹅挽歌【影视解说】
日照好人【影视解说】
奇幻逆缘【影视解说】
海上钢琴师【影视解说】
国王的演讲【影视解说】
高山下的花环【影视解说】
无处的男孩【影视解说】
松林外【影视解说】
开心鬼[电影解说]

狂野街头

类型: 恐怖
地区: 美国
年份: 1968
主演: 谢利·温特斯,克里斯托弗·琼斯,黛安·瓦西,米莉·佩金斯
导演: Barry,Shear

剧情介绍

Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007  Author TimothyFarrell from Worcester, MA  Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.  The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)  -from imdb
热门推荐