视频推荐
分歧者3:忠诚世界
公司里的小小前辈
剧场版 假面骑士V3
救命解药(国语)
坏爸爸
爱情跷跷板
爱情火花
至爱梵高·星空之谜
我亲爱的失败者之永远幸福快乐
王者之剑
理想之路
孤注一掷:德国国家队
芭蕾复仇曲
那就是我的世界2023
布劳涅森林的女人们
美国骗局
哆哆嗖嗖啦啦嗖
特工总裁俏冤家
少年们
童养媳之谜
Side By Side 身旁的人
爱在青山绿水间
不知不觉爱上你
知女莫若母
厨娘杀手
疯狂希莉娅
生死拳
复杂的爱
白昼冷光
萌鸡小队:萌闯新世界
制暴2023
记忆搜查3~新宿东署事件档案~
癫螳螂
疾速杀机
我的秘密新娘
赤裸狂花
巅峰拍档第十八季
赤裸的诱惑
痴人之爱
朗伍德传奇
超级八部半
超激!A帮生与死
厕所女神
巅峰拍档第十四季
肏我

萨乐美

类型: 剧情,剧情片
地区: 美国
年份: 1923
主演: 艾拉·娜兹莫娃
导演: 查尔斯·布莱恩特,艾拉·娜兹莫娃

剧情介绍

Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.  Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.  Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.  No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.  A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.  Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.  In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
热门推荐